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(From the
Introduction)
A child born on the first day of the new Millennium will live an entire
lifetime in a world undreamt of just a generation ago. As much as we might
have tried to speculate upon the shape of things to come, the twenty-first
century arrives just as unformed as a newborn.
When a child enters the world, it knows nearly nothing of the universe
beyond itself. With mouth, then eyes, and finally, hands, it reaches out
to discover the character of the surrounding world. Over the course of
time, that child will discover its Mother - the source of life - and,
sometime later, its Father. But in the first days after birth, the child
will be presented with rattles, mobiles, mirrors and noisy stuffed animals
that will become its constant companions. Our children, in nearly every
imaginable situation, are accompanied by toys.
It has been this way for a very long time. We can trace the prehistoric
sharpened stick - undoubtedly the first tool - to the sticks children
still love to play with today. Over the 5500 years of recorded history,
forward from Sumer and Egypt, toys have a presence both charming and enlightening,
for we have learned that toys not only help to form the imaginations of
our children, but also reflect the cultural imagination back upon us.
The ancient Maya, who thrived across Mesoamerica thirteen centuries ago,
never developed the wheel for transportation - already in use for some
seven thousand years in Mesopotamia - yet employed it in toys. The Mayan
world-view - based in circles and cycles of sky and earth, brought them
the wheel as a toy, a pocket universe which reflected the structure of
the whole cosmos.
All of our toys, for all of known time, perform the same role of reducing
the complex universe of human culture into forms that children can grasp.
I am not saying that children are simple, unable to apprehend the complex
relationships which form cultures, rather, that toys help the child to
guide itself into culture, playgrounds where rehearsals for reality can
proceed without constraint or self-consciousness.
These points have been made before, but have gained unusual currency over
the last few years, as the character of our toys has begun to change,
reflecting a new imagining of ourselves and the world we live in. Somewhere
in the time between Project Apollo and the Mars Pathfinder we learned
how to make the world react to our presence within it, sprinkling some
of our intelligence into the universe-at-large in much the same way a
chef seasons a fine sauce. Our toys, touched by fairy dust, have come
alive, like Pinocchio; some - like the incredibly popular Furby - simulate
ever-more-realistic personalities.
Although the Furby seems to have come from nowhere to capture the hearts
of children worldwide, in reality, it incorporates everything we already
know about how the future will behave. The world reacts to us - interacts
with us - at a growing level of intelligence and flexibility. A century
ago people marveled at the power and control of the electric light, which
turned the night into day and ushered in a twenty-four hour world. Today
we and our children are amazed by a synthetic creature possessing a dim
image of our own consciousness and announcing the advent of a playful
world, where the gulf between wish and reality collapses to produce a
new kind of creativity.
Toys can serve as points of departure for another voyage of exploration,
a search for the world of our children's expectations. As much as a spear
or wheel or astronaut figurine ever shaped a child's view of the world,
these toys - because they now react to us - tell us that our children
will have a different view of the "interior" nature of the world, seeing
it as potentially vital, intelligent, and infinitely transformable. The
"dead" world of objects before intelligence and interactivity will not
exist for them, and, as they grow to adulthood, they will likely demand
that the world remain as pliable as they remember from their youngest
days. Fortunately, we are ready for that challenge. Just as the creative
world of children has become manipulable, programmable and mutable, the
entire fabric of the material world seems poised on the edge of a similar
transformation. That, at essence, is the theme of this book, because where
our children are already going, we look to follow.
In the evolving relationship between imagination and reality, toys show
us how we teach the ways of this new world to our children. Their toys
tell them everything they need to know about where they are going, providing
them the opportunity to develop a mind-set which will make the radical
freedom offered in such a world an attractive possibility. Many of us
- "older" people - will find that freedom chaotic, discomforting - if
not downright disorienting, and it will be up to our children to teach
us how to find our way in a world we were not born into.
All around us, the world is coming alive, infused with information and
capability; this is the only reality for our children, and it speaks louder
than any lesson taught in any school, because the lesson is repeated -
reinforced - with every button's touch. But it is up to us to rise to
the challenge of a playful world, to finish the work of culture and change
the nature of reality. It might seem, even after all of this, to be nothing
more than a dream; but this is a book about dreams made real. So, follow
on, as we trace a path through a world that is rising to meet us...
A six-minute
video interview with Mark Pesce is available here.
If you have a high speed connection, with DSL or a cable modem, click
here instead.
The interview is in Real format. If you need the Real Player, click here.
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